Gnomus wrote:
> In article <op.t6xwpozclt81g8@[EMAIL PROTECTED]
>, Martin Schemitsch
> <team8martinland@[EMAIL PROTECTED]
> wrote:
>
>> On Mon, 18 Feb 2008 06:49:02 +0100, Gnomus <gnomus@[EMAIL PROTECTED]
>
wrote:
>>
>>> In article <e8mdnV5oZpV4SyXanZ2dnUVZ_oaonZ2d@[EMAIL PROTECTED]
>, Alric
>>> Knebel <alric@[EMAIL PROTECTED]
> wrote:
>>> The other thing, if I remember correctly, is the number of "skinjobs"
>>> on the loose is actually consistent and correct. So they went from
>>> having it right to screwing it all up.
>>>
>>>> And about that workprint, today was the first time I'd seen it.
>>>> Interesting. Not really a noticeable difference, except for the
music
>>>> and the ending.
>>> There are actually a lot of little details that differ from the other
>>> versions, like when Deckard is looking at Leon's photos in the Esper
>>> and sees Roy, he says "Hello, Roy." I didn't register them all the
>>> first time I saw it.
>> One thing Paul M. Sammon didn't mention, which I found very obvious
when I
>> finally saw (and heard) the work print for the first time:
>>
>> During the whole length of the s**** pit scene, there's ***ual panting
>> (presumably from the stage?) "hot" (both meanings!) on the soundtrack.
;)
>>
>> Have a better one,
>> Martin
>
> Yeah, I didn't notice that (or at least I don't recall noticing it)
> while seeing it at the NuArt. But it struck me this time. It's
> strange!
.... and I thought the Blimp saying "This message brought to you by the
****mago Dominguez Cor****ation...." was new for the D.C. and it was in
the workprint.
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