On Mon, 18 Feb 2008 06:49:02 +0100, Gnomus <gnomus@[EMAIL PROTECTED]
> wrote:
> In article <e8mdnV5oZpV4SyXanZ2dnUVZ_oaonZ2d@[EMAIL PROTECTED]
>, Alric
> Knebel <alric@[EMAIL PROTECTED]
> wrote:
> The other thing, if I remember correctly, is the number of "skinjobs"
> on the loose is actually consistent and correct. So they went from
> having it right to screwing it all up.
>
>>
>> And about that workprint, today was the first time I'd seen it.
>> Interesting. Not really a noticeable difference, except for the music
>> and the ending.
>
> There are actually a lot of little details that differ from the other
> versions, like when Deckard is looking at Leon's photos in the Esper
> and sees Roy, he says "Hello, Roy." I didn't register them all the
> first time I saw it.
One thing Paul M. Sammon didn't mention, which I found very obvious when I
finally saw (and heard) the work print for the first time:
During the whole length of the s**** pit scene, there's ***ual panting
(presumably from the stage?) "hot" (both meanings!) on the soundtrack. ;)
Have a better one,
Martin
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