So helpful.
In article <slrndecovi.2ps.slvrmn@[EMAIL PROTECTED]
>,
Albert Silverman <slvrmn@[EMAIL PROTECTED]
> wrote:
>On 2005-07-25, Olo <tu@[EMAIL PROTECTED]
> wrote:
>> Hi
>> Could You tell me what's the progression used in "Autumn Leaves" tune?
>
>What is it that you are looking for? You provide the "original
>progression" below, so I don't understand your question.
>
>> Where does the alternate progression come from?
>
>Wherever it comes from, it is BAD, particularly the E7 chord in the third
>measure. In this measure, the melody (which you do not show) contains
>tones Eb->F->G which are accompanied by your "alternate" chord E7,
>containing tones EG#BD. The melody is an ugly (translation:awful!) clash
>with the E7 chord, and cannot be seriously considered.
>
>Where on earth did you get *this*?
>
>Forget it.
>
>Once again, what exactly is it that you want to know?
>
>If you tell me what this is, perhaps I can help. But then again,
>perhaps I cannot........
>
>Whatever you do, don't listen to any of our "doctors" around these
>parts--folks who do not understand what a "chord" is!!
>
>
>
>Albert Silverman
>(Al is in Wonderland!)
>where relevance is irrelevance
> >
>> The original progression is Cm7 | F7 | Bbmaj7 | Ebmaj7 | Ami7b5 | D7 |
Gmi |
>> The alternate changes are Cm7 | F7 | Bmi7 E7 | Bbmi7 Eb7 | Ami7b5 | D7
|
>> Gmi |
>>
>> greets
>> Alex
>
--
Matthew H. Fields http://www.umich.edu/~fields
Music: Splendor in Sound
To be great, do better and better. Don't wait for talent: no such thing.
Brights have a naturalistic world-view. http://www.the-brights.net/
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