In article <slrnddhb0c.b0o.slvrmn@[EMAIL PROTECTED]
>,
Albert Silverman <slvrmn@[EMAIL PROTECTED]
> wrote:
>On 2005-07-15, thomas schönsgibl <ilovespam@[EMAIL PROTECTED]
> wrote:
>> hi,
>> in jazz the secondary dominants ie in the key of C major are:
>> A7 -->Dm7
>> B7 -->Em7
>> C7 -->Fmaj7
>> D7 -->G7
>> E7 -->Am7
>> (F#7 -->Bm7b5) is not used
>> what are secondary dominants in classic music theory?
>
>I will make it easy for you! There aren't any.
>
>The "secondary dominant" is a figment of Ancient imagination.
>
>read that: *irrelevant*
>
>
>Albert Silverman
>(Al is in Wonderland!)
>where relevance is irrelevant
Wrong.
--
Matthew H. Fields http://www.umich.edu/~fields
Music: Splendor in Sound
To be great, do better and better. Don't wait for talent: no such thing.
Brights have a naturalistic world-view. http://www.the-brights.net/
