In article <slrndapp0d.8ho.slvrmn@[EMAIL PROTECTED]
>,
Albert Silverman <slvrmn@[EMAIL PROTECTED]
> wrote:
>On 2005-06-12, Joe Roberts <> wrote:
>>
>> "Albert Silverman" wrote:
>>> Matthew Fields wrote:
>>>
>>> >
>>> > We all know that distinction, Al: A note
>>> > is the notation used to write a tone.
>>> > There's nothing confusing about it.
>>>
>>> Speak for yourself, "doctor".
>>>
>>> Joe Roberts does not know this distinction.
>>
>>
>> Abalone, Al. You got that distinction four ways in responses to your
>> eariler off-topic "chord construction procedure" trolling. You got it
in
>> Hertz, 12-tone even-tempered scale, Lissajous, and even in foghorns,
Al.
>> In other words you got it with visual and aural examples both inside
and
>> outside of musical context.
>>
>> That note would ring a bell with any reasonable humanoid, e.g. one who
does
>> not cringe inside an ego bubble or automatically assume, instead of
helpful
>> dialogue, an offensive tone.
>>
>> Joe
>>
>It appears that you do not want to be cured by our resident "doctor",
>Joe. His cure works very well for Hams.
>
>
>
>Albert Silverman
>(Al is in Wonderland!)
>where Hams don't want to be cured
>
--
Matthew H. Fields http://www.umich.edu/~fields
Music: Splendor in Sound
To be great, do better and better. Don't wait for talent: no such thing.
Brights have a naturalistic world-view. http://www.the-brights.net/
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